Friday, June 24, 2011

Review essay Van der Tuin: New feminist materialisms

(via @juspar ):
"A nice review article by Iris van der Tuin in Women's Studies International Forum 34 (2011) 271–277 on New Materialist Feminisms."

The article reviews the following publications:


  • Material feminisms, Stacy Alaimo and Susan Hekman (Eds.), Indiana University Press, 2008, 
  • The material of knowledge: Feminist disclosures, Susan Hekman, Indiana University Press, 2010, 
  • New materialisms: Ontology, agency, and politics, Diana Coole and Samantha Frost (Eds.), Duke University Press, 2010, 
  • Carnal knowledge: Towards a “new materialism” through the arts, Estelle Barrett and Barbara Bolt (Eds.), I.B.Tauris, (forthcoming)

Shifting titles, and a new challenge: "One, two... Soup!"

Behind the stage of paper writing: how the paper title has shifted while writing over the last weeks (I recovered these from my drafts between June 6 - 13)

  • Shifting musicologies, or the transversal capacities of New Materialism live as an explosive fuel to performance studies.
  • Shifting musicologies and the new materialist generation: methodology, ontology and time for change.
  • Or, productive alliances and not-a-new methodology
  • New materialism live! Transversal methodology, shifting musicologies, and time for a radical politics of affirmation
  • Or: affirming (my) new materialist music(ologi)cal experience as performance and transversal methodology
  • Or: Hippies or Butches?  Soft affirmation as alternative to feminist criticism
  • New materialism live! Transversal methodology, posthuman subjectivies and shifting musicologies


It reveals some of the more articulate and less subtle stages of the process, I think..   what do you think? (the penultimate one remains my favorite..)

p.s. yes, I've finally finished. As you may have noticed, there is a point where I couldnt keep up with the live stream. Probably, there's a time of opening up, and one of closing down. Necessary to get things done.
This morning I realize that all the more, as I just started the next paper challenge, and immediatly felt the desire to share some thought again..

and of course, no new project goes without a funky working title. For today:

"One, two… Soup! On the limits of politeness/othering, perception, and pluri-modal ontology"


This paper will focus on the Speculative Turn, and I'm taking some earlier posts on that book (on the authenticity of imitation, for instance) as the starting point..  I need a shorter hashtag for this one, do you have suggestions? #12soup doesnt look good, I think..

Friday, June 10, 2011

Think becoming and watch this

Think 'becoming' and watch this.
Think 'first there is movement' and 'unity is what we make of it as its product'
Think 'oppositional terms are themselves part of one and the same movement'

Remember that neither the one, nor the multiple is privileged in pluri-modal ontology. That there are different modes does not mean that you can be 'both at once... compossibility works in a quite different way from simple accumulation. .. the difference lies in good and bad ways of protecting the multiplicity from the dangers of both inity and dispersal.' (Latour on Eitienne Souriau in The Speculative Turn, p. 332 (full details posted earlier))  


and perhaps most of all
Realize that constant becoming, flux, movement is FAR FROM CHAOS.

[with thanks to F for bringing this to my attention]


Art is life

So cool, so cool..

The 'is life' campagin does indeed resonate already in other fields.  (Read this earlier post if you don't understand what I mean)

check it out!! http://www.artislifemovie.com/
'it's there.. it follows you... it breaks borders... its always there..  it touches everything... it brings people together'


Wednesday, June 8, 2011

Sally Macarthur, Gilbert Simondon and more

So here's my "my-life-is-too-short-but-these-articles-I'd-otherwise-read-right-now" list of today.
Included: short notes on why these, and full-text pdf links

Have you read it? Will you read it (for me)? Share your thought in 100 words, or even less .. so that we can use the time of our too short lives together more productively.


0.(that is, this before and most of all)

Sally Macarthur


I still haven't had time to properly read her work. But she's clearly a partner in new materialist crime. Or in feminist-deleuzian musicology, as she would probably call it. Her 2010 book is expensive. I'll talk to my librarian. Meanwhile, we'll have to do it with this:

Macarthur, Sally. "A thousand dissonances" in Australian Feminist Studies 2009.

Macarthur, Sally. "A Becoming-Infinite-Cycle in Anne Boyd’s Music: A Feminist-Deleuzian Exploration" in Radical Musicology 3(2008). http://www.radical-musicology.org.uk/2008/Macarthur.htm

See also the full list of publications on her site.

Tuesday, June 7, 2011

Anahid Kassabian

http://blahfeme.typepad.com/blahfeme/2007/01/when_the_music_.html

Anahid Kassabian's work on haptic and ubiquitous listening

(Recommended by in a discussion on "it's her factory" blog)

New layout

Thanks to Nate, another one of my great artist friends. Check her amazing work here.

The header image is a fragment of the one below. To me it looks like a radically open brain with many schizoid alliances.

Life project equals insight of the day, in less then a twitter update

The tricky thing with bodies is the moment you try to define one, you find yourself always already involved in producing another. 

This is, in short, my view on the relation between bodies and the subject.

In contrast to objects, bodies never fully detach, let alone do they stand in a binary opposition to the subject. Hence, my understanding of the subject is in no way a pure (Cartesian) mind. Embodied it is. Yet, I do not first pose the subject and thereafter the body. To posit the subject as embodied is not to say that embodied subjectivity is the only position from which expression,  experience and consciousness take place.

My understanding of the body, namely, on the other hand, is radically post-human. There is a bodily consciousness that exceeds the subject. Or perhaps it is better to say, the body has an entirely different ontological mode, a different mode of being. (I was inspired by reading Latour on pluri-modal ontology today[1]). Think of a string quartet: this supra-individual body has the capacity to express as an organic unity, even though individual bodies are at once also expressed.

The I that creates a cartography of a body is itself part of that very body in its subsequent actualizations (very simply: you read my view of a body hence you look ‘through my eyes’ at that body, so you read ‘me-seeing-a-body’) .    

I want to explore the idea of different modes of bodies as different ontological modes. That is: of ‘a bodily reality’, distinct to the singularity of each encounter.
Is it helpful to imagine a radically immanent/contingent multimodal plane of continuously shifting ontologies? No, not al the time. But sometimes.


[1] Latour, Bruno. “Reflections on Etienne Souriau’s Les diffĂ©rants modes d’existence” (translated by Stephen Muecke) in The Speculative Turn: Continental Materialism and Realism, Levi Bryant, Nick Srnicek and Graham Harman (eds.). Open access (full text): http://www.re-press.org/content/view/64/38/

Sunday, June 5, 2011

Brian Massumi, another great crafty generator of life


Semblance and Event - The MIT Press

also on the list: his Parables for the Virtual

Reading Marcus Boon's In Praise of Copying

Found some interesting stuff via Thomas Brett's blog, to be read at a later point:
Marcus Boon's In Praise of Copying (online availlable)
See Brett's blog for a short review.

It resonates with my 'authenticity of imitation' line of thought.

Did someone read it and/or  has something to say about it?

Saturday, June 4, 2011

Career bitch or ordinary pleasure? The game of academia

Whether it's in games or sport, it's hard to resist the idea that boys, in general, are more competitiveThey are 
  • more fanatic,
  • enter the survival/fighting mode very quickly, 
  • and thus, are more committed and likely to win. 
Even though I hate stereotypes and try to subvert them whenever possible, I find myself - with other female friends, significantly less involved, caring less about the game itself. Let alone about winning it.

Friday, June 3, 2011

Cutting intermezzos

Cutted during my work of rewriting paradigms and disciplinary history of the new materialist generation.. 
----intermezzo
A few basic rules, or, what we can learn from successful revolutions of the facebook generation
Facebook only has a like button; an ultimate example of the affirmative mode. [1]
Existing online is a strong step towards ontological existence. Materialization is further secured by appearance in the established Western media (online, tv and print), helping it leak through at dinner-table talks and in classrooms. Realities on Facebook or YouTube have the capacity to intervene realities of hegemonic state media.
Active participation needed! Transversal mobilizing may go faster than ever before, forgetting and demobilization join easily after. One-day-flies don’t make sustainable difference. Therefore, constant reinforcement and active participation is needed. A high number of likes and visits in a short time is crucial to get feet on the ground, but keeping attention and ongoing engagement is the only way towards materializing sustainable difference.
---


[1] I am deliberately not delimiting the movement to ‘Arabic’ revolutions as it resonates as well outside the Middle East with varying effects, f.e. China and more recently Spain. 



--intermezzo 2:
A few consequences and implications of reshuffling hierarchies and structures in the new materialist generation.
‘Promise of the youth’ gets a whole new significance when taken on as leading for legitimacy. That is, you don’t have to be established before your arguments may be cited by others.
And, New materialist citation policies 2.0. 

Livestream paperwriting. Shifting musicologies ..

Today: a new experiment, after longterm frustration about paperwriting and the evil facebook distraction that notoriously stands in the way of efficient writing.

Now let's see if postindividualist thoughtstream may actually enhance the product.

Follow the livestream on twitter and join with the hashtag #shiftingmusicologies. This is an invitation to join, help, laugh at, challenge, and criticize the process. And remember, your contrinbutions will be acknowledged, in line with the recently proposed new materialist citation politics.*